Phase 1 (2021)
This piece investigates the concept of temporality through an innovative approach using 3D printing pens. By combining this cutting-edge tool with traditional methods like working on paper, the piece explores how movement and creation intertwine to depict the passage of time. Each stroke of the 3D pen captures the fluidity and impermanence of moments, transforming ideas of past, present, and future into tangible, layered forms. This dynamic interaction between materiality and motion offers a fresh perspective on the ephemeral nature of time. Perfect for art enthusiasts, tech lovers, and philosophical explorers alike, this work redefines how we experience temporality.
Photo Credit Karol Wyszynsk
Phase II (2021)
Building on Phase I, Phase II delves deeper into temporality by integrating choreography within a VR 360 experience. This immersive piece explores the dynamic interplay between the body, the camera, and the perception of time. Using cutting-edge virtual reality technology, the work examines how movement reshapes our understanding of spatial and temporal dimensions. Audiences are invited to experience the fluid relationship between performer and lens, blurring boundaries between observer and participant. Perfect for those intrigued by VR, contemporary dance, and experimental storytelling, Phase II reimagines how technology and art converge to create transformative experiences in time and space.
Keeley Shaw and Lucie Lee Sykes